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・ Hamid Rasaee
・ Hamid Rashidi
・ Hamid Raza Gillani
・ Hamid Raza Khan
・ Hamid Reza Abrarinia
・ Hamid Reza Babaei
・ Hamid Reza Chitgar
・ Hamid Reza Ebrahimi
・ Hamid Reza Fathi
・ Hamid Reza Katouzian
・ Hamid Reza Kazemi
・ Hamid Reza Mobarrez
・ Hamid Reza Namazi
・ Hamid Reza Noorbakhsh
・ Hamid Reza Pahlavi
Hamid Reza Sadr
・ Hamid Rhanem
・ Hamid Sadid
・ Hamid Saeed Kazmi
・ Hamid Sajjadi
・ Hamid Samandarian
・ Hamid Shafaat
・ Hamid Shafiei
・ Hamid Shah
・ Hamid Shandizi Moghadam
・ Hamid Shirvani
・ Hamid Shirzadegan
・ Hamid Slimi
・ Hamid Soltan
・ Hamid Soltanian-Zadeh


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Hamid Reza Sadr : ウィキペディア英語版
Hamid Reza Sadr

Hamid Reza Sadr (حمیدرضا صدر, born 19 March 1956), is an Iranian film critic and football critic. He is well known for his columns in ''Film Magazine'' on cinema and his appearances on television for analyzing football.
He married Mehrzad Dolati in 1983. She is an artist who studied in the United States and then returned to Iran and attended Alzahra University. She has been teaching painting for many years. They have a daughter, Ghazaleh, born in 1990. She studies at Shahid Beheshti University for getting her MA in English Literature. She teaches an English class in Tehran. He currently lives in Tehran, Iran and lectures in different Iranian and European universities besides his professional engineering work. He is mainly working on new books.
He also has 2 brothers and 2 sisters. Amir Hossain Sadr, Shahin Sadr, Mashid Sadr and Mehrnaz Sadr. His mother's name is Zahra Karimi and his father's name is Golumhossain Sadr. His brother Shahin Sadr has two twin children Zahra and Lili Sadr while his sister Mashid Sadr has one girl named Yasimeen Rouhani and a son named Neema Rouhani. His other sister Mehrnaz Sadr has two twin daughters Deeba Saffarian-Toosi and Saba Saffarian-Toosi
.
==Career==
Hamid Sadr movie reviews are published in many Iranian journals since 1981 including ''Zan-e Rooz, Soroush'', ''Film Magazine'', ''Film International'', and ''Haft'' or Seven magazine. Sadr has explained his critical approach to films as "relative, not unconditional"; he analysis a film for what he feels will be its likely audience, yet he usually approaches movies emotionally, with a strongly touching writing style. He was especially cruel to some films that had been roasted by many critics, such as Bahram Beizai and Masoud Kimiai films. The originality of his opinions, as well as the vigorous way in which he spoken them, won his eager supporters as well as angry critics.'
He translated From Reverence to Rape: The Treatment of Women in the Movies"'', the influential book by Molly Haskell which published in ''Zan-e Rooz'' magazine.
He has written a book on politics and Iranian cinema, called ''Iranian Cinema: A Political History''. The comprehensive analysis provided in this book gives refreshing, up-to-date introduction to those interested in Iranian cinema and its socio-political dimensions and history, observing recurrent themes and genres as well as giving lights to lesser-known thematic concerns and figures. Sadr, while acknowledging the lack of imaginative expression in mainstream Iranian cinema: the weak scripts, the poor performances, the repetitive and conservative nature and content and poor performances, argues for and analysis the political contexts and its constant shifts embedded within the apparently least noteworthy of Iranian films.
Sadr was known for his monthly column called "''Shadow of Imagination''" appearing in ''Film Magazine'' and his reports on international film festival particularly on London Film Festival. He interviewed many famous actors, directors and film critics including: Anthony Hopkins, Peter O'Toole, Mike Leigh, Jim Jarmusch, Carlos Saura, Andrei Konchalovsky, Peter Wollen, Laura Mulvey, Jeffrey Noel Smith, John Gillett, Sohrab Shahid-Sales and Farokh Ghafari.
He is a co-producer of ''Looking for Scheherazade'' movie, a documentary directed by Safi Yazdanian in 2003.
He is a football lover and has written several features on sociology, politics and football. His book ''Once Upon a Time Football'' is about politics and football but it also tells the story of the Sadr's relationship with football and sometimes relates them to his own personal life. It has been years now that he appears on the Iranian national television to talk about football matches and thus has become famous among people.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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